visual artist working in the field of photography overlapping with the media of video, audio and text

A Horse Under the Apricot Tree

about

Two slag heaps rise there—one from the “Almaznaya” mine, facing north, the direction from which we’re coming. The other, from the “Dobropilskaya” mine, faces east, the direction from which they’re advancing. Between the slag heaps, beyond the small settlements, lies the Molodizhny neighborhood—a district of five-story prefab apartment buildings overgrown with all the varieties of Donbas roses. And in a courtyard in Molodizhny, among the concrete apartment blocks, a horse stands beneath a dry apricot tree. It stands motionless, its head bowed downward, sinking into the grass that wasn’t cut last year. Quiet! Be quiet. This horse isn’t grazing here—it’s sleeping. Don’t wake it up. Perhaps these are its last dreams in Dobropillia. About the song of anthracite, about the beehives in Sloboda, the backyard dovecotes; About the heavy smell of the slag heap and the asphalt-laden air of the city; About the children playing around him, their weary parents who have gone to the market or to their shift; About roses, cherries, and apricots. About closed mines and the start of the war.

text by
Denys Pankratov
team
Conception Denys Pankratov
place
Lviv
medium
Slide photography, Video, 3d print, coal fossil
year
2026

Fragmented Sediments

about

text by
Nina Moravcová
team
3d Lukáš Prokop, sound design and mix Adéla Konečná, voiceover Iryna Zakharova
place
Muzeum umění a designu Benešov
show
Fragmented Sediments (curated by Nina Moravcová)
medium
Video, Slide photography, Coal fossil
year
2026

A Place of Flowers

about

text by
Ivana Hrončeková
place
Center for Contemporary Art, Jelení Gallery, Prague, Czech republic
show
A Place of Flowers (curated by Ivana Hrončeková)
medium
Video 16’ 9”, large format slide photography
year
2025
  • a slide from series A Place of Flowers
  • a slide from series A Place of Flowers
place
Plato Ostrava
show
Soil and Friends (curated by Marianna Dobkowska and Edith Jeřábková)
year
2026
photo
Martin Polák

If a Tree Falls In a Forest And No One Is Around, Does It Make a Sound?

about

text by
Nela Klajbanová, Sára Marc
team
Nela Klajbanová, Sára Marc, Ida Tausch, Max Máslo, Lukáš Dobeš
place
etc. galerie, Prague, Czech Republic
show
If a Tree Falls In a Forest And No One Is Around, Does It Make a Sound? (curated by Sára Marc, Nela Klajbanová)
medium
video, object, ceramic
year
2024
photo
Jan Kolský

After Time

about

text by
Darja Lukjanenko
team
3d animation Lukáš Prokop
place
House of Arts, Ústí nad Labem
medium
Video, Ceramic
year
2026
photo
Tomáš Souček, Darja Lukjanenko
place
Galerie Kabinet T, Zlín, Czech Republic
show
After Time (curated by Edith Jeřábková)
medium
Video, object, ceramic
year
2024

Tears Like Hailstones

about

The form of the sculpture suggests the shape of a tear together with the salty taste. The salt can be felt just by breathing close to the object. Molecules of the stone salt from Soledar mines get to our tongue. Despite a total salt shortage in Ukraine caused by the Russian occupation of Soledar, the 35 kilos block of salt for the sculpture was purchased in the Czech online farmer store for quite a low price, about 35 EUR.

place
Galerie TIC, Brno, CZ
show
Skin and Masks (curated by Ivana Hrončeková)
medium
installation
year
2023

A Thousand Yard Stare

about

text by
Ivana Hrončeková
medium
photography, video
year
2023
photo
Polina’s brother Dmytro, Polina Davydenko
place
Galerie TIC, Brno, CZ
show
Skin and Masks (curated by Ivana Hrončeková)
medium
video
year
2023

Apricots of Donbas

about

Ongoing photography series

place
Gandy Gallery
medium
Photography
year
2025

Sirens Making Knots on My Guts

about

text by
Jan Durina
team
Darina Konoplya, Anastasia Hart (vocals)
medium
Photography
year
2022
place
Galerie UMAKART, Brno, CZ
medium
photography, text, sound installation, video
year
2022

Potter Wasp

about

Polina Davydenko uses the anthropomorphized figure of the solitary wasp, Kutilka, classified as an invasive species, as a metaphor for a person who has been forced to leave his own home and now struggles with feelings of rejection, uprootedness, and unequal status in his new environment. The society in which she is trying to find a new home places higher demands on her simply because of her immigrant status. 
At the same time does not give any hope that this expected higher level of effort will ever be appreciated in any additional way. The film mixes elements of nature documentary, costume “TV” fable, and 3D animated passages.

text by
Šimon Kadlčák
team
Klara Wodehn (music, vocals), Jim Krutor & Jonáš Svoboda (sound design), Michaela Werunská (3D animation consultant), Simona Peková (voice acting), Ester Turečková (costume)
medium
video 8’ 54”
year
2022
place
Faculty of Fine Arts, Brno University of Technology, Diploma installation
medium
video, 3D animation 
and installation
year
2022

Public Tinnitus

about

The main narrator is a piece of coal that sings a ballad about the city of Dobropolje and asks why some habits are so far beyond the boundaries. A fraction of coal compares the whole mechanism of a mining town to a beehive. Honey is taken from bees and replaced with sugar. Similarly, I perceive a mining town maintained only in exchange of coal for money and products. The ubiquitous coal mining that keeps the entire city alive can be heard and seen, but nobody pays attention to this. Like tinnitus, whistling in the ears disappears and appears depending on how much attention we pay.

team
Toyota Vangelis (vocals)
medium
video 5’ 50″
year
2020
place
City Surfer Office, Prague, CZ
medium
video, sound, installation
year
2020

Willy Nilly

about

team
Jim Krutor (soundtrack), Magdalena Straková (Willy / Keiko), Barbora Trnková (voiceover), Anna Tesařová & Monika Rygálová (assistant camera crew)
medium
videostills
year
2021
place
XY Gallery, Olomouc, CZ
medium
video, installation
year
2021

Based on True Story

medium
photography
year
2019